The first iteration of this series (Home of the Brave I) was shown at The Laundry Artspace, East Brisbane in August 2016. I exhibited a second iteration as Home of the Brave II in August 2017 at the Frank Moran Memorial Gallery, QUT Kelvin Grove, which included a live re-performance Home of the Brave II with 28 women also titled Home of the Brave II.
The volunteer participants in Home of the Brave II perform a drill routine that uses the device of call and return to suggest a small army of women. The military metaphor is significant because in war, men are expected to do whatever it takes to protect their country. The stakes are so high they are expected to give their lives; to die for their country. Similarly, the risks associated with IVF drugs are not yet fully understood, but the expectation is the same — that women will do whatever it takes to get a baby. Women seem prepared to overlook the dangers of IVF because of their yearning to meet the expectations of femininity. The twenty-eight women performing this work wear smocks embroidered with text appropriated from online IVF pregnancy loss forums. The embroidered words are sewn in thread dyed with menstrual blood and positioned over the wombs of the performers.
The work explores how strategic discomfort can be used to shift beyond the affectively moving into deliberately disingenuous, evasive and insubordinate approaches to intimate subject matter. It asks us to consider what it means to be a ‘brave woman’ or a ‘brave girl’ today and how these labels are assigned. What do you have to do to qualify as ‘brave’, and even more importantly how are you expected to respond socially.
Photos: Alan Warren, Andrea Higgins, Leisha Walker.
Video: Sophia Dique and Wattle Media.